Southern emphasizes RyЕЌta's transformation in dealing with this difficult choice: he is first convinced to make the swap, believing that the affinities with his biological son will emerge increasingly evident in the future. These two families, as Mark Kermode notes on The Observer, are faced with the dilemma of retaining the children they have raised, on the basis of the bonds built with them over six years, or swap them and start over for the sake of blood lineage continuity. The film ends with the two returning to the Saiki's, and both families entering the home.ДЄs pointed out by Nathan Southern of AllMovie, the film confronts two distant kinds of Japanese families coming from different social backgrounds and reflects opposing conceptions that coexist in contemporary Japanese society. While following him, RyЕЌta apologizes to Keita, and the two make amends. The three return to the Saiki family, but Keita runs away from RyЕЌta. RyЕЌta now understands the errors of his ways.

However, while going through the photos on his camera, RyЕЌta discovers a cache of photos of himself, mostly sleeping, that Keita took, and he breaks down crying. RyЕЌta and Midori begin to bond with RyЕ«sei, who is also warming up to them. RyЕЌta picks up RyЕ«sei and brings him back home.

All four parents have difficulty accepting the loss of their previous sons, and the absence of the parents they used to know causes both boys to shut down emotionally, culminating in RyЕ«sei running away from the Nonomiya's home and returning to the Saiki's. After several more meetings, they finally decide to exchange children permanently. After several meetings, they decide to exchange children for one Saturday. They share photos, and for the first time, RyЕЌta and Midori see their biological son, RyЕ«sei. RyЕЌta and Midori soon meet with the other couple, Yukari and YЕ«dai Saiki, small town folks who lack the money and drive that RyЕЌta possess, but who have a better understanding of the importance of child and parent bonds. After arriving at the hospital, the couple learns that their biological son RyЕ«sei was switched with Keita at birth, and after DNA tests prove the error, they must now make a life-changing decision to either keep Keita, the boy they raised as their own son, or exchange him for their biological son. Upon his return home one day, Midori tells him that the hospital where Keita was born urgently needs to speak to them, and RyЕЌta senses trouble.

RyЕЌta Nonomiya is a successful architect who is focused so much on work that he neglects his wife, Midori, and son, Keita. The film was also shown at the 2013 Toronto International Film Festival, and won both the Rogers People's Choice Award at the 2013 Vancouver International Film Festival and the Wuaki.TV Audience Award at the 2013 San SebastiГЎn International Film Festival. The award sparked a significant response in Japan, and the national theatrical release was brought forward by a week, on 28 September 2013. In ceremony, it won the Jury Prize and a commendation from the Ecumenical Jury. After the screening, the audience welcomed the film with a ten-minute standing ovation, and director Kore-eda and Fukuyama were moved to tears. It premiered on at the 2013 Cannes Film Festival, where it was nominated for the Palme d'Or. Like Father, Like Son ( гЃќгЃ—гЃ¦з€¶гЃ«гЃЄг‚‹, Soshite Chichi ni Naru) is a 2013 Japanese drama film edited, written, and directed by Hirokazu Kore-eda, starring Masaharu Fukuyama in his first role as a father.

Like father like son 1987 full movie